Artist Laura LePere has been passionate about art throughout her life, earning recognition through contests and awards during her school years. Although she initially considered pursuing a career in art, her curiosity led her to archaeology instead. Even while building a career in that field, she continued to nurture her creative side through hobbies like mosaics and polymer clay.

In 2008, Laura discovered polymer clay, a medium that captivated her with its versatility and vibrant colors. It quickly became her artistic focus. After 15 years in archaeology, she retired with a clear purpose: to dedicate herself fully to her art.

Determined to refine her skills, Laura earned a certification in Nature Art and began exhibiting and selling her work. In 2017, her talent was recognized when her mountain lion scratchboard was acquired for the permanent collection of the Desert Museum. A member of both SAAG and the International Polymer Clay Association, Laura has had the opportunity to connect with and learn from some of the world’s leading polymer artists, both online and in person. Her artwork has been showcased internationally, including in Europe, and she earned 1st place in the 2-D category of the IPC’s annual exhibition in 2022.

In recent years, Laura has embraced teaching, sharing her expertise in polymer clay techniques through workshops at the Desert Museum, SAAG, and online platforms such as guild events and the 2023 Polymer Art Summit. Her dedication to the medium continues to inspire both her students and her peers.

Her mixed media artwork is featured in exhibitions and showcased on her website (https://www.3LArts.com)—where you can sign up for her newsletter—and also on Instagram (https://www.instagram.com/3l.arts/).

We sat down with Laura to ask a little more about her art.

Q: How do you decide on the themes or subjects of your pieces? Is there a particular message you aim to convey?

A: My subject matter is eclectic but mostly focused on nature. The connection I developed with the Sonoran Desert during archaeological fieldwork makes it my main inspiration. And I’m a birder so birds are favorite subjects. I’m also very inspired by color, pattern, and texture and sometimes I’ll focus just on that in a more abstract way. As an environmentalist at heart, I hope my work can transmit my concern for the natural world.

I’m also very drawn to traditional and indigenous cultures from various parts of the world. These do make their way into my work at times although I tend to avoid direct references. It’s a bit of a tricky subject because it’s true that all art is to some degree a product of the artist’s exposure to the work of others. Still, and even though not all Native people feel the same about it, I prefer to avoid any sense of coopting their ability to represent themselves.

“Avocet Reflects” by Laura LePere.

Q: How do you stay motivated and find inspiration, especially during creative blocks?

A:  I like to use photos I’ve taken as references. If I’m feeling down, a walk outside with my camera will get my creative juices flowing. I do use calls for exhibits for motivation and even inspiration, although it’s rare that I can do a piece start to finish in the time a call is open. Also, polymer clay artists, being relatively few and far between, have really taken to the Internet so there is a wealth of ideas to build on there. And, finally, my husband likes to give me ideas for pieces. I seem to lack for time rather than inspiration.

Q: How long have you been a SAAG member and how has your membership benefited you?
A: I joined in late 2019. The first thing I participated in was the Non-Critique meetings. I missed them so much during the pandemic that I volunteered to host them on Zoom. It’s been a great way to get to know other members. I also pretty much never miss submitting something to the exhibitions and it’s very gratifying when my work has received recognition or sold. And I’m pleased to be offering cards for sale in the gallery now. I really appreciate being able to teach classes and do demos as well. But I think the main benefit is just how positive and encouraging everyone is.

If you are interested in SAAG’s Non-Critique meetings, or becoming a member, more information can be found here: https://www.southernarizonaartsguild.com/new-membership